Jesse Bartlett-Webber

Drummer, Music Director, Educator, Composer

NYCPS: Tenure Portfolio

Domain 1: Planning and Preparation

In Domain 1, my planning has become more intentional, standards-based, and responsive to student needs. My lesson plans and observation records show increasing clarity in learning targets, stronger sequencing, more purposeful differentiation, and better alignment between outcomes, activities, and assessment.

This section also demonstrates how I use content knowledge, student knowledge, outside resources, and assessment design to create meaningful music instruction. Across the record, I show growth in building lessons that connect music literacy, performance, reflection, and student voice.


 1a.) Demonstrating Knowledge of Content and Pedagogy

I demonstrate knowledge of content and pedagogy by designing music instruction that helps students read, perform, analyze, and refine music through multiple entry points. Observation evidence notes that my plans align to the NYC Blueprint for Teaching and Learning in Music, build on prerequisite knowledge, and use varied pedagogical approaches including modeling, section work, auditory learning, visual supports, and kinesthetic strategies.

Over time, I have grown in my ability to break down complex musical concepts into manageable steps for students at different skill levels. Observers specifically noted my arrangement of music to match student readiness, my use of analogies to explain musical technique, and my ability to connect music content to other disciplines and to students’ prior experiences.

**Suggested artifacts**


- Observation reports highlighting 1a ratings and evidence

- Lesson plans for recorder, 8th grade appreciation, 7th grade band, and “Jingle Bells”

- Standards-aligned planning documents

- Band repertoire arrangements or adapted parts if available

**Note**

- This page is well supported by the current record.


1b.) Demonstrating Knowledge of Students

I demonstrate knowledge of students by planning with attention to varied skill levels, learning needs, interests, and access needs. My lesson plans show that I differentiate for students with disabilities, use surveys and prior data to understand students’ musical backgrounds and technology access, and build lessons that allow students to enter through listening, notation, performance, discussion, or creative work.

My growth in this area has included becoming more intentional about matching instruction to the individual learner rather than only to the class as a whole. The record shows evidence of adaptations for visually impaired students, students with physical disabilities, and students who need alternate pathways for demonstrating musical understanding, but I would strengthen this page further with additional direct evidence of family/community knowledge and student interest inventories across multiple classes.

**Suggested artifacts**

- 8th grade lesson plan with visually impaired student accommodations

- 7th grade lesson plan with adaptations for physical disabilities and alternate grading pathways

- Student roster/progress chart

- Student interest survey, if available

**Note**

- I need more direct artifacts showing how I learn about students’ cultural backgrounds, out-of-school musical lives, and interests across the year.[^7][^2][^3]

1c.) Setting Instructional Outcomes

1d.) Demonstrating Knowledge of Resources

1e.) Designing Coherent Instruction

1f.) Designing Student Assessments